Thursday, 20 May 2010

150 Years of Photography from India, Pakinstan and Bangladesh


After beeing shown at the Whitechapel in London, the 400 photos exhibition 150 Years of Photography from India, Pakinstan and Bangladesh will travel to Fotomuseum Winterthur, Switzerland from the the 12th of June until the 22nd of August.
A symposium on South-Asia photography will be organised on the 12th and the 13th of June.  Among the different photographers and critics attending this event, will be Sunil Gupta, Dayanita Singh, Aveek Sen.


More information here:
http://www.fotomuseum.ch/


A review of the event at the Whitechapel is available through the following links:
Magnumphotos.com 


Tuesday, 18 May 2010

An international residency for Sohrab Hura in Niort, France

During the month of August, Sohrab Hura is doing a residency organised by Pour l'instant, a non profit organisation that seeks to promote young international photographers, in Niort, France.
He, along with the seven other young photographers in residence, will be coached by a well-experienced photographer and a technical advisor.

More information on this project is available on: http://www.pourlinstant.com/

Sunday, 16 May 2010

Vidura Jang Bahadur - Teresa Tan and Li Yang Liang - Chennai, 2006

The picture belongs to a work on the Chinese community in India started in 2006 and calls "Home".

Vidura takes us into the world of sisterhood and “parlour“-hood  inhabited by two sisters in law.

The timelessness of this moment is enclosed in this home cum-beauty parlour where the simple act of washing a woman’s hair encapsulates their shared comfort.

 The mise en scène comprising of the single source of light, the central whirring fan and the simple décor is visualized in this panoramic shot, almost like a still frame from a film reel.


Vidura Jang Bahadur - Picture of my grandmother - Bangalore, 2008

Vidura Jang Bahadur is a young photographer who lives in Delhi.
He has lived in China for over three years.

This picture belongs to a series on his grandmother started in 1997 which is still in progress.

Here, Vidura captures a moment of deep concentration and calm while his grandmother is praying in the morning time.

The lens comes so close to the subject isolating her from her material environment representing a rare moment of meditation.

The gnarled long fingers sure of their touch on the rosary perform the repetitive act of prayer. This movement captured by the photographer then becomes the focal point of her intense concentration leaving the rest of her body immobile.


Wednesday, 28 April 2010

“Kunti Devi, child widow, faceless citizen” by Prashant Panjiar

To launch this blog, I asked Prashant Panjiar, to choose one of his favorite pictures.
Prashant Panjiar is one of India’s best photojournalists and picture editors. Based in Delhi, he specializes in editorial and documentary photography. He is also actively involved in guiding young photographers through fellowship program and international press photo competition.

The picture that he has chosen is from his book King, Commoner, Citizen published by IndiaPicture in 2007.

“Kunti Devi, child widow, faceless citizen” was shot in 1999 in Bihar.
The picture tells us the story of a victim of ongoing caste war, Kunti Devi. She became a child widow when a landlord’s private army, killed her husband, along with 22 dalits of her village.
King, Commoner, Citizen is dedicated to her.

On the foreground, a small child shows us his back. Immediately, the viewer notices his black shaved head, a central point in the picture. At the back, a woman is sitting in front of a house door. There is a creation of a colored dialogue between the child’s chess board printed tee-shirt and her, shrouded in a purple sari. Furthermore, the shape of the smooth shaven head, symbol of death in Hindou religion, is resonated in the upturned basket lying in the background.

The atmosphere of the picture exudes a sense of timelessness where the faceless child widow seems to be trapped in no-mans-land.
The simplicity of the elements and their efficient organization in the picture make the subject emanate a sense of despair.

The picture has been shot after the journalist working with Prashant interviewed the young widow. If she was already married, she was staying at her mother’s house when the slaughter happened. Because she lost her husband, she knows now that she has no future. Her identity and her private grief is hidden from the outside world as she sits there stubbornly wrapped from head to toe, concealing herself. She resides in an intermediate space between life and death.

She never was a king, her dalit identity refused her citizenship and she is now no longer a commoner also.
































Panjiar’s work can be viewed at www.panjiarphoto.com 

His recent work focuses on farmers' suicides in Vidarbha and can be seen here:


Friday, 2 April 2010

A new blog

Welcome to a new blog dedicated to Indian contemporary photography.
Why this blog? To show the wealth and the diversity of Indian photography today, to create a dialog between photographers, journalists and other artists, to give informations on exhibitions, books, catalogs, press focusing on Indian photography, finally to enjoy photography in India!